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During the holidays you may have been to see 'Brainiac Live' at the Palace Theatre in London. This letter from Paul McCrory has been discussed in several places on the internet:
What kind of example is set by the organisers of the largest STEM engagement event in the UK [The Big Bang] when they book 'Brainiac Live - Science Abuse' as a headline show? What possessed STEMNET and the ASE to think that collaborating in a ticket promotion of Brainiac Live's recent West End debut was a good idea?
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