All Resource articles – Page 53

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    Using figures, graphics & images in an article

    2015-08-13T10:59:49Z

    Find out the acceptable formats for figures, graphics and images in journal articles using the Royal Society of Chemistry guidelines from our author and reviewer resource centre. This guidance is suitable for first-time and experienced authors.

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    Tyndall effect- why the sky is blue

    In this experiment, students observe and report on the Tyndall effect. Also, students use their knowledge of the properties of mixtures and emulsions, and light to explain their observations.

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    Three colours from the same dye-bath

    In this experiment, students see if dyes bond differently depending on the material, and what effect this has.

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    Measure the speed of light

    In this experiment, students report their findings when bread, covered in butter, is placed in a microwave without the turning plate. They also use their data to calculate the speed of light.

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    Making marbled paper

    In this practical, students create a marble effect on paper, using their knowledge of mixtures and hydrophobic solutions to explain the phenomena. Also, students use their evaluating skills to determine which method produces the best result.

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    Ancient inks

    In this practical, students use methods which have been used for centuries to produce inks.

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    Water drop art

    In this practical, students observe and report what happens when water is placed on waxed paper, and a splint or toothpick is positioned close to the droplets.

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    Making and using blueprint paper

    Blueprints use the cyanotype process invented by the astronomer John Herschel in 1842. In this experiment you will carry out an experiment to produce blueprint paper and produce an image or diagram using the blueprint paper. 

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    Making brown ink

    This practical is suitable for all pupils as part of a general introduction to coloured substances. 

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    Making paint with minerals

    This practical is best done with groups of four pupils each pupil could chose a single mineral and make both tempera paint and an oil paint for testing.

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    Making a simple paint

    In this practical, students use a process which has been used for centuries to produce egg tempera paint.

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    Restoration of Minoan paintings: Imitation or reproduction?

    Minoan art tells of a people who were keen observers of their world, in touch with the environment and enjoying the world they lived in.

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    Greek art theory influences future art

    Here we look at how the influences on Ancient Greek art, including the importance, and what is meant by, the Goldern Ratio.

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    Egyptian blue

    The Egyptians sought a permanent blue pigment to depict their royalty and gods with the necessary reverence. Here we look at how the Egyptian achieved a blue pigment that didn’t degrade over time.

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    Principles of Egyptian art

    Understanding Egyptian art lies in appreciating what it was created for. Ancient Egyptian art must be viewed from the standpoint of the ancient Egyptians not from our viewpoint. Here we explore the basis of Egyptian art.

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    Conservation of Egyptian art

    The ethical questions of whether ancient works of art should be be conservered or restored are investigated with this resource.

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    Egyptian myths

    The Egyptians developed a world view in which events and conditions were attributed to the actions of multiple, related gods and goddesses. Here are some of those stories.

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    Egyptian materials and pigments

    Ancient Egyptian artists are known for developing a wider range of materials for their art.This resource looks at the pigments and materials the Egyptians used to create their art.

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    Egyptian art

    To understand and appreciate Egyptian art one must look at the beginnings of art in Egypt and how it developed, for in that development lay the roots of many ideas and techniques. This resources explores this development.

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    Defining the age of a rock or cave painting

    Discover how it is possible to date rock and cave paintings, using science.